SET DESIGN

Both Demans and Seilles have an independent practice in which art installation, sculpture, wearable jewelry, furniture and touch-inviting materials appear. For Abundance, they’ve created a circuit in which everything is in constant motion. Their scenography (de)centralizes different forms of mobility: shimmer, shine, slippery, shaking, waving, spilling, vibrating, sloping and sliding. Their active commitment to queer

Stromboli created the set and maintenance system for the anniversary exhibition “Moucharabieh” of Triangle France art center in Marseille. A long worm pool takes the form of an infinite loop and stations in the middle of the show, working as a main circulation marker in the scenography. Swimming is open to public, permitting to apreciate

Stromboli collaborates wit Elisa Valenzuela, art director from creative agency Convergences to present acrylic jewels collection UNCHAINED. We create an image series in a black and white craft moon decors where cardboard silhouettes of super model Cindy Crawford mingle with the colorful accessories. The scales distortions, the floating figures and the dramatical set, however generates

OPEN BASSIN is an installation in Arge/Kunst art center in Bolzano, which purpose has been to open the art center into a public space, with an open pool like on public square which use is co,pletly free. All supplies necessary for the bath and the maintenance of the pool are supplied by the art center.

Mortal cinema is a concept cinema room invented by Clemence Seilles and Theo Demans. It was developed with the help of “De Eye” cinema museum in Amsterdam (NL) for the movie “Economy of Love” by artist Melanie Bonajo. Essentially build from a variety of foams, The Mortal Cinema room offers a great acoustic and comfortable

Clemence Seilles, founder of Stromboli, created the set design for the group show “La Déesse Verte” (The Green Goddess), curated by Dorothée Dupuis and organized in the framework of the Triennial Lille 3000 (Lille, Fr). In harmony with the works of 22 artists from the Americas and Europe, her scenography plays between the forms of art and the forms

Stromboli, with Théo Demans and Clemence Seilles, has created a series of immersive rooms for the FOAM Museum: playful stage-worlds and artificial landscapes which invite one to recline and slow down. At the same time, these immersive rooms also operate as an expansion of Bonajo’s filmic imagery, physically enveloping and transporting the viewer into a