SET DESIGN

Non-stop Materia

Finalist project for Guiltless plastic competition at Rossana Orlandi Galery during Salone del mobile 2022 Auto-regenerating furniture.Recycled plastic foams from industrial waste is the innovative material that composes this colorful and intriguing furniture. The material is light, suitable for outdoor, highly adjustable to custom needs, easy to maintain and can be endlessly regenerated. The schreded

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Scenography abundance

Both Demans and Seilles have an independent practice in which art installation, sculpture, wearable jewelry, furniture and touch-inviting materials appear. For Abundance, they’ve created a circuit in which everything is in constant motion. Their scenography (de)centralizes different forms of mobility: shimmer, shine, slippery, shaking, waving, spilling, vibrating, sloping and sliding. Their active commitment to queer

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Moucharabieh

Stromboli created the set and maintenance system for the anniversary exhibition “Moucharabieh” of Triangle France art center in Marseille. A long worm pool takes the form of an infinite loop and stations in the middle of the show, working as a main circulation marker in the scenography. Swimming is open to public, permitting to apreciate

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Open bassin

OPEN BASSIN is an installation in Arge/Kunst art center in Bolzano, which purpose has been to open the art center into a public space, with an open pool like on public square which use is co,pletly free. All supplies necessary for the bath and the maintenance of the pool are supplied by the art center.

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Mortal cinema

Mortal cinema is a concept cinema room invented by Clemence Seilles and Theo Demans. It was developed with the help of “De Eye” cinema museum in Amsterdam (NL) for the movie “Economy of Love” by artist Melanie Bonajo. Essentially build from a variety of foams, The Mortal Cinema room offers a great acoustic and comfortable

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Déesse verte

Clemence Seilles, founder of Stromboli, created the set design for the group show “La Déesse Verte” (The Green Goddess), curated by Dorothée Dupuis and organized in the framework of the Triennial Lille 3000 (Lille, Fr). In harmony with the works of 22 artists from the Americas and Europe, her scenography plays between the forms of art and the forms

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Foam-night soil

Stromboli, with Théo Demans and Clemence Seilles, has created a series of immersive rooms for the FOAM Museum: playful stage-worlds and artificial landscapes which invite one to recline and slow down. At the same time, these immersive rooms also operate as an expansion of Bonajo’s filmic imagery, physically enveloping and transporting the viewer into a

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Night soil

Stromboli, with Théo Demans and Clemence Seilles, has created a series of immersive rooms for the Frankfurter Kunstverein: playful stage-worlds and artificial landscapes which invite one to recline and slow down. At the same time, these immersive rooms also operate as an expansion of Bonajo’s filmic imagery, physically enveloping and transporting the viewer into a

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Mortal recordings

“Mortal Recordings” is a music studio. It is functional and ideal for composition, music recording, performing and acting purposes. In between a working space and a performing stage, Mortal Recordings gathers its members (musicians, amateurs and visual artists) to compose, play, dance, and perform for an audience, while it’s all being simultaneously recorded on digital

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